Popular Kikuyu gospel musician Ben Githae has issued a public apology to Kenyans, particularly the Gen Z community, after enduring weeks of relentless criticism following his recent State House visit. In a candid interview on Thursday, June 19, Githae admitted the online backlash had deeply affected him, describing the experience as humbling and emotionally draining.
“I surrender. I don’t want any more greetings—you’ve greeted me enough these past three weeks. Lead the way, we’ll follow. If I’ve wronged you in any way, I sincerely apologise,” Githae said during a radio interview.
In Kenyan slang, “greetings” is metaphorical language for intense online criticism—often through social media messages, mentions, and direct calls—targeted at public figures perceived to be out of touch with the people’s struggles or aligned with unpopular political moves.
The Visit That Sparked Public Outrage
In early May, Githae, along with fellow Kikuyu musicians Karangu Muraya and Samidoh, visited State House Nairobi where they held discussions with President William Ruto and Deputy President Kithure Kindiki. The meeting was presented as an initiative to promote the music industry and support creatives across Kenya.
However, the optics of the meeting were poorly received by the public—especially Kenya’s youth, who interpreted the visit as a political public relations stunt designed to legitimize a government facing growing disapproval due to economic hardship, youth unemployment, and discontent with governance.
What was meant to be a positive engagement quickly turned into a digital firestorm, with Kenyans flooding social media—particularly X (formerly Twitter)—with criticisms and mockery aimed at Githae and his colleagues.
The Power of Gen Z and Online Accountability
Githae’s apology is a direct response to the power wielded by Gen Z Kenyans, who have proven to be some of the most politically conscious and socially active demographics in the digital space. They have taken it upon themselves to hold public figures accountable, especially those who seem disconnected from the realities of daily life in Kenya.
Through creative language, memes, satire, and hashtags, Gen Z has created a new model of online activism. Terms like “greetings” have become cultural code for calling out leaders, influencers, and celebrities who appear complicit in policies or events viewed as oppressive, elitist, or dismissive of the common mwananchi (citizen).
Celebrities and influencers, once immune to criticism, are now frequently “canceled” or pressured to explain their actions when they engage with political figures in ways that suggest partisan alignment.
A Lesson in Listening and Leadership
For Ben Githae, who has previously been associated with political campaigning—most notably for his 2017 pro-Jubilee song “Tano Tena”—this backlash isn’t entirely new. However, the tone and scale of the recent criticism have left him visibly shaken.
“This experience has taught me to listen more. I now understand that people are hurting, and as public figures, we must be sensitive to their pain,” Githae remarked.
His apology was welcomed by some as a step in the right direction, especially in a time where many feel that public figures often dismiss or ignore public sentiment.
The Broader Conversation: Art, Politics, and Responsibility
The incident has reignited national debates on the role of artists in politics and society. Should musicians and creatives remain neutral? Is engaging with political leaders always a betrayal of the public? Can art and activism co-exist?
Many Kenyans argue that while artists have every right to engage with government to improve their industries, the timing, context, and communication of such engagements matter. In a nation grappling with soaring costs of living, corruption scandals, and public mistrust in leadership, even well-intentioned visits can be seen as insensitive.
Some believe that the current environment demands that public figures prioritize people over politics, and that their platforms should amplify citizen concerns—not align with power.
From Criticism to Constructive Engagement
Following the backlash, some youth leaders and creatives are now calling for a more constructive approach. Rather than outright canceling personalities like Githae, they advocate for open dialogue and clearer distinctions between genuine creative development initiatives and politically motivated meetings.
“We want solutions, not slogans. If you’re an artist going to State House, let it be clear that you’re fighting for better policies, not photo ops,” read one viral tweet.
Others urge artists to use their platforms to speak on issues affecting the youth, such as education, healthcare, job creation, and freedom of expression.
Conclusion: A Wake-Up Call for Public Figures
Ben Githae’s public apology signals a growing awareness among Kenyan entertainers that the rules of public engagement are changing. Today’s youth are informed, empowered, and vocal—and they expect those in the limelight to be accountable, empathetic, and aligned with the people’s struggles.
The digital age has blurred the lines between celebrity and citizen activism. As such, entertainers can no longer afford to be neutral or tone-deaf. Every appearance, endorsement, and meeting carries weight—and the public is watching.
Githae’s experience is a lesson in humility, a reminder that respect is earned through sincerity and alignment with the people, not just talent or fame.